In an industry where digital platforms and synthesized beats often dominate, Platinum Award-winning violinist Jiawei Cui stands as a testament to the enduring power and depth of classical music. His virtuosity is not just a breath of fresh air; it’s a storm that reawakens our collective soul, reminding us that music’s ancestral language is still as vital as ever.
The music industry today is an intricate landscape of genres, platforms, and business models. The advent of digital technology has democratized music, making it more accessible but also blurring the lines between amateur and professional. Amid this technological complexity, there exists a constant: the beauty of live performance, particularly in classical music. Despite the vicissitudes of trends, there’s a timeless reverence for the kind of artistic excellence that can’t be replicated or auto-tuned. And it’s in this traditional milieu that Jiawei Cui has not just survived but thrived, establishing himself as an irreplaceable figure.
Born into a family of musicians, Jiawei’s journey took a significant leap forward when he secured the Platinum Award at the 2023 Grand Master Music Competition, the only violinist to do so in the Professional Category. This isn’t just a feather in his cap; it’s a crown jewel. The competition is a segment of the European Classical Music Awards, an esteemed institution that seeks to unearth and propel global talent. Composed of a panel of judges who themselves are luminaries—concert performers, professors, and educators from world-renowned institutions—the accolade reflects an unimpeachable standard of excellence.
Further embellishing his already resplendent career, Jiawei claimed not one but three awards at the Manchester International Music Competition in 2023. He walked away with Platinum Prizes in both the Professional and Sonata Categories, in addition to the Excellent Interpretation Award. Known for its stringent evaluation process, the Manchester competition doesn’t just challenge artists; it serves as a crucible for greatness.
Aside from these accolades, Jiawei boasts an impressive portfolio of performance and work experiences, from stage appearances at international venues to session recordings across genres. He has taught violin, played for royal gatherings and state events, and even performed as a concertmaster in various orchestras. His current endeavors include touring and competition plans, plus collaborations with award-winning composers. He has a dual mastery of both the violin and the viola and speaks Mandarin and English fluently, broadening his global reach.
In a candid interview, we were able to delve deeper into Jiawei’s understanding of music. He describes it as a sacred form of art, initially designed to connect humans to the divine. His philosophy on music adds another layer to his artistry, one of introspection and purpose. When asked about the possibility of releasing a solo album, Jiawei revealed it is a venture he would consider once he feels “fully prepared and confident,” signaling both artistic evolution and creative ambition.
In a world quick to embrace the latest trend, Jiawei Cui serves as a compelling reminder that some things—like talent, dedication, and the unadulterated beauty of live classical music—remain eternally relevant. With his recent awards and ongoing projects, he not only enriches the classical music world but also ensures its significant imprint on the broader musical canvas.
Thanks for joining us. This is a big question to start with, but what does music mean to you?
Music, dance, and painting were originally created to help people connect with the divine. Yet, as technology and civilization advanced, we began to lose sight of the meaning and origins of these art forms.
In the past, music could primarily be heard in churches or royal courts. Now, music pervades every corner of our lives. I am thankful that music has become universally accessible, with no divisions based on race, language, nationality, social status, or wealth.
Nevertheless, in some ways, music has lost its transcendent nature. It is no longer valued and perceived in the same manner as it once was. Music used to be a highly esteemed medium for service and communication. This is my present perspective on music: it remains something of substantial value.
Do you practice and/or play music every single day?
If possible, I prefer to practice daily, even if it’s just for a brief span of ten to fifteen minutes.
How do you go about making connections with other musicians and music industry pros?
Establishing connections requires substantial time and effort, often necessitating one to be in the right place at the right time. At present, my work at Berklee allows me to interact with many students and alumni through various sessions, recordings, and shows.
You’re also a skilled session player. What has session work been like for you so far?
Session work can be quite exhausting. It demands a great deal of thought, concentration, and focus, presenting a unique kind of pressure. For instance, you’re typically playing alongside a click track, and time restrictions add another layer of complexity.
Have you ever considered releasing music of your own?
If there comes a day when I feel fully prepared and confident in my abilities, I would love to engage in some recordings and release an album! However, currently, I am not working on any of my own music.
How often do you play classical music these days? Is it still a big part of your life?
At the moment, I’m auditioning for symphonic orchestras, so classical music is and has always been my main priority. While I do play other styles of music, my focus has always remained on classical.
Are there any upcoming projects you’re working on that you can tell us about?
Our chamber music group is gearing up for a few competitions, including the Charleston Competition and the London Classical Music competition. We also have an upcoming performance. On the pop side, I may soon be touring with a Rock/Pop orchestra, though it hasn’t been confirmed yet. Meanwhile, I’m in the midst of recording for an award-winning composer and working on a film score. So, I’m certainly keeping busy!